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SFGate – CAAMFest 2013

2013-03-10 | Website | Mention

SFGate speaks with Christine Kwon, creator of NICE GIRLS CREW and managing director of CAAMFest, and others about women making independent films.

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Tags: Nice Girls Crew

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Press Date: 2013-03-10

by G. Allen Johnson

URL: SFGate

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    Looking forward to bringing #alwaysanjali to y’a Looking forward to bringing #alwaysanjali to y’all this Tuesday. Thrilled to be joined by the illustrious @rodaworld. My dear friend and talented author of several beautiful books. Please join us. Feel free to send questions in the comments so we can get them cued up. Stay safe and we’ll zoom you soon. ❤️🙏🏽👊🏽(link coming) #representationmatters @mangoandmarigoldpress @hightreepublishing @jessicablankdraws @rodaworld 📚
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    Love this crew so much. The truest of hearts and e Love this crew so much. The truest of hearts and enigmatic, endless talents. May we continue to create, support and uplift as long as this world allows. 🙌🏽🙏🏽❤️💪🏽👊🏽 @mslynnchen @michellekrusiec @chopsfilms @caamedia #Repost @mslynnchen with @get_repost ・・・ #TBT 8 years ago - 4 screenings at #CAAMFest w NICE GIRLS CREW, YES WE’RE OPEN, DAYLIGHT SAVINGS and a SAVING FACE reunion. I’ve been attending festivals for a long time and they’re so important for indie filmmakers to get their work seen. Let’s keep supporting one another’s work - all of these projects are available online. Stretch beyond what you’d normally watch and seek out art made by underrepresented voices. It’s more important now than ever.
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    A thread about accents. For several decades, South A thread about accents. For several decades, South Asian actors have been asked to do a generic ‘Indian’ accent to justify their casting. As if the only way a brown person could be in the narrative was if we reflected how white people saw us. And most of the time, it was a version of Apu from the Simpson’s. (We’ve discussed this thanks to Hari Kondabolu. See ‘The Problem with Apu’). Accents for comedy’s sake is offensive and we cringed at the ‘can you do that with an accent now’ note that was way too common in audition rooms. If you need an actor to do an accent to make the material funny, the writing is the problem, not the actor. We are in 2020 and there is a palpable effort for more representation. That’s great. However, we are seeing narratives/content where the story and characters are actually based in India or Pakistan or Bangladesh or another country from the diaspora but sometimes, there is no accent at all. I don’t know if this is an effort to right the wrongs of the past but you’re missing the point. Authenticity is the point. Being accurate is the point. Representation is the point. White washing our rich culture which includes many different languages, varied accents, and a multitude of sounds is doing as much of a disservice as the generic accent you wanted before. Give the audiences more credit than that. Just as we pleaded that audiences would accept seeing a brown character with no accent just living their life born and raised in the US, we expect to experience characters growing up in another country to sound like they are from that country. If we want the world to feel inclusive and respectful and teach our kids to accept everyone, don’t erase the parts of us that connect us to our history. If the character is born and raised in India, they should sound like it. Same for Pakistan and Nepal and Sri Lanka and any other country. If the character was born in one country and then moved around a lot, they should sound like that too. If a family was from Australia, wouldn't they sound like it? Accents are not reductive when done right, they are a way into worlds we want in on. Look for accuracy, nuance, and narrative authenticity. Please.
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